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Cosentino unveils Capsule Collection that “dares to play”

Cosentino unveils Capsule Collection that “dares to play”

Global leader of innovative and sustainable surfaces, Cosentino, revealed the much-awaited second edition of its Capsule Collection at an exclusive event held at SKOONI Art Foundation & Residence. This limited-edition furniture and home accessories series crafted by 5 pioneering practitioners and founders of eminent design houses: Nadine Kanso, Omar Nakkash, Rabah Saeid, Omar Al Gurg and Thomas Trad, is both playful as it is inventive.

The cohort embarked on the project in October 2023 with an open brief from Cosentino to push the boundaries of their creative practice and “Dare to Play” with a new material – Dekton Slim Protek, a revolutionary 4mm carbon neutral, ultra-compact and mesh reinforced stone created for use in architecture and design. The 5-month journey from the drawing board to the finished products came to a spectacular close with the reveal of a collection that comes together to tell myriad stories of home, culture and modern living. The eclectic collection of five functional and aesthetic works of art features a floor lamp, a bench, a modular assortment of multi-purpose furniture, a dinnerware carrier and an office desk.
“This edition is a surprising assortment of pieces by some of the region’s brightest minds, highlighting the possibilities of Dekton Slim Protek for product design. From the paper-thin office desk that shows off the material’s ultra-thin profile to the bench that highlights its large format, its versatility as illustrated in the design of the flexible table mats and finally its beauty as a cladding material as seen in the modular furniture and floor lamp, this collection is truly a dream made in the UAE for the world to see”, said Eddy Abou Khalil, Regional Director, Cosentino Middle East.
The pieces were brought to life by Dubai-based bespoke furniture craftsmen and luxury fit-out contractor Cherwell. Having worked on the first edition of the Capsule Collection in 2021, Cherwell was well-equipped to deal with the complexities of the designs, production challenges and delivery of the prototypes. “We worked in close collaboration with the designers to create these one-of-a-kind products. There were moments when our team was challenged to find solutions, but together we dared to raise the bar”, said founder Hannah Bower-Brooks.
The Cosentino Capsule Collection is a bi-annual initiative that engages not only with well-known and emerging talent from the Middle East to create the products but also inspires the next generation of designers. This year, the collective will involve students of prominent design schools in the UAE on the practice of product design. The first edition of the Capsule Collection will also find a second life on campus as a case study tool.

Nadine Kanso.

Blink by Nadine Kanso for Cosentino
Founder of radical jewelry brand Bil Arabi, Nadine Kanso’s bespoke piece “Blink”, reflects her inimitable style that celebrates the essence of modern Arab identity. The floor lamp is a playful re-interpretation of the iconic eye motif from Nadine’s hugely popular Ya Ein jewellery collection inspired by the ancient concept of Evil Eye rooted in the Arab culture. Transforming illumination into a delightful game, the lamp creates the illusion of a winking eye as it toggles between light and dark with the flick of a switch. With its shiny brass lampshade, exposed bulb, and cuboid base clad in Paonazzo stone inspired Dekton Awake, this statement piece adds a whimsical touch to any space. “Through this project, I discovered another side to what I do by creating for the first time this Blink lamp. It was exciting to translate my evil eye jewellery into product design”.

Omar Al Gurg.

Dinna by Omar Al Gurg for Cosentino
An interactive and playful object from the house of MODU Method, designed by the brand’s Founder Omar Al Gurg, “Dinna” is a space-saving dinnerware carrier designed for small homes, a hangover from his time as a university student in Belfast when space was premium. The modular product that individually comprises of four placemats, one high tray and a low tray, combines to form a cabinet to store crockery for a small family. The stand out elements of the design are the double-sided placemats. Made from thin strips of Dekton Slim Protek glued on linen fabric, the flexible placemats slide in and out of grooves on the dark solid Ash wood trays to create the doors of the cabinet. Derived from the British English pronunciation of the word dinner, “Dinna” holds emotional and functional value as a product of our times. “Having a meal together is the most sentimental activity that binds us as humans. “Dinna” pays tribute to this need while also being a product that is true to our contemporary lives in cities where both time and space are scarce”.

Rabah Saeid, founder of Styled Habitat.

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Contemporary concept, sober and elegant lines, colors and muted tones resolutely in tune with the times, noble and quality materials… The multiple creations designed and sculpted by Terry Dwan have everything to seduce us. Take a look at this outstanding talent. An architect and designer at the same time, Terry Dawn has, for a long time, established his notoriety on the international scene, thanks to his remarkable style. Based in Milan, this native American but adopted Italian uses a language of her own. Born in 1957, in Santa Monica, California, United States, she began her career after studying engineering and architecture at Rice University, Houston, in addition to training in Fine Arts at Studio Arts Center International (SACI) in Florence, Italy. The designer, who won the Fulbright Fellowship to study the architecture of cemeteries and war monuments in Italy, graduated from Yale University in Architecture in 1984. After an experience alongside Antonio Citterio, with whom she collaborated from 1985 to 1996 and founded the Citterio/Dwan office, working on several projects and residential complexes, fairs and exhibitions, notably in Switzerland, Japan, Germany and Italy, she opened her own design agency in 1992 and got involved in great designs, whether in architecture or decoration. A book entitled Antonio Citterio & Terry Dwan: Ten years of Architecture and Design, signed by Pippo Ciorra, was published on the occasion of the exhibition that the duo organized in Bordeaux in 1993. At the same time, it multiplies design projects for the biggest publishers and won numerous awards at international competitions. In 1996, she began by developing industrial design plans for firms such as Sawaya and Moroni, Electrolux, San Lorenzo and Driade. An accomplished designer, she juggles with forms, materials and concepts, questions obvious codes, experiments and explores eclectic universes: from the architecture of private residences, public buildings and interior decoration, through the design and the from salon and exhibition design to furniture and porcelain or silver objects, she is interested in everything and comes out with flying colors. Marrying current vision with everyday functionality, some of her works are part of the permanent collection of the Design Museum at the Milan Triennale. Passionate, her career is marked by numerous explorations of the material where wood, her material of choice, occupies a privileged place. She enjoys working with it revealing its multiple aesthetic qualities, through several everyday basics, many models of which have become emblematic, such as Maui, seat in scented cedar wood, edited by Riva 1920, and the Napa armchair, object oscillating between functional piece of furniture and biomorphic sculpture, or even Implement, a desk composed of two juxtaposed and misaligned wooden boards. Her collaboration with Driade is crowned by the timeless Burgos and Bedda sofas. A sought-after speaker around the world, Terry Dwan has taught architecture at SACI, Florence, and co-taught architectural heritage conservation at the University of Milan. Since 2006, she has been Dean of the Council of the School of Architecture at Yale University and a member of the SACI Board of Trustees.

kəˈnɛkt by Styled Habitat for Cosentino
“kəˈnɛkt” (pronounced Connect) by Styled Habitat, introduces a series of innovative and playful furniture pieces that seamlessly blends sculpture with functionality. Featuring modular units that can be taken apart and reconfigured as needed, the versatile pieces lend itself to be used as tables, stools or even as pedestals. The collection boasts sleek Dekton surfaces skillfully juxtaposed with brushed bronze, radiant iridescent glass, and textured Alpi veneer to create a captivating interplay of contrasts. This collective form, resembling the silhouette of a cityscape, celebrates the harmonious fusion of artistry and utility, inviting individuals to explore dynamic and interactive design possibilities. “We understand design as a personal expression, nurturing intimate bonds between physical elements and emotions. Through kəˈnɛkt (connect) we invite the user to express, create and give each piece its unique story”, Rabah Saeid, founder of Styled Habitat.

Thomas Trad.

Kimiko by Thomas Trad for Cosentino
Inspired by the desire to challenge traditional furniture design, ingenious Beirut based creator Thomas Trad’s office desk “Kimiko”, is takes a rationalist approach with engineering and materials as main protagonists. Highlighting the durability, versatility, and ultra-thin profile of Dekton Slim Protek, the minimalist design is unique for the use of Dekton slab as a desktop that appears to float above ground, supported on by a single, curved, thin stainless-steel support leg. The French oak veneer cabinet with swivel drawers add weight and a touch of warmth, enhancing the desk’s functionality and aesthetic appeal. “Kimiko not only highlights my vision for blending form and function but also celebrates Cosentino’s commitment to innovative and sustainable material solutions, making Dekton an ideal choice for modern, enduring designs”.

Omar Nakkash.

The Oli Bench by Omar Nakkash for Cosentino
Drawing from his Palestinian heritage and a deep appreciation for the traditional cross-stitch embroidery form of “Tatreez”, Omar Nakkash, Founder and Design Director at Nakkash Design Studio, envisioned the Oli Bench as a functional piece that is also serves as a symbol of connection and hope. The main elements of the bench are the sleek terracotta coloured Dekton Umber slabs and the hollow solid oak timber bases that double up as planters for the olive trees, Palestine’s symbol of resistance and resilience. Adding a deeper layer of meaning to the design, the olive trees proudly assert Omar’s Palestinian roots and stands as a testament to ancestral presence. The slab is decorated with motifs of olive branches using square stainless-steel mosaics, in a Tatreez pattern that traces its origin to the city of Ramallah in West Bank.  “The bench is not just a piece of furniture. It is a work of art that embodies my cultural heritage, celebrates the beauty of Palestinian artistry, and invites people to connect and share their stories”.

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